Flo Listens to Lili Marlene on Repeat
My Mother and Audie Murphy Chapter 120
In April 1946, Flo returned to her hometown of Yakima, where she spent the summer reflecting on her two years in Europe as a Red Cross “donut girl.” My cousin Sandy, who was then six years old and a frequent visitor to “grandma’s house” remembers that Flo sat in her room listening to the song Lili Marlene over and over during that time, likely while compiling the album of her wartime experiences–a way of processing the grief and loss she carried home.

Lili Marlene was a German love song that became an unlikely anthem of World War II, beloved by both Axis and Allied troops. Originally written as a poem in 1915 by Hans Leip, a conscripted schoolteacher, it was set to music in 1938 and first recorded by Lale Andersen in 1939. The song gained massive popularity after being played frequently by Soldatensender Belgrad (Soldier’s Radio Belgrade), a German radio station broadcasting across Europe and the Mediterranean. Despite initial opposition from propaganda minister Joseph Goebbels, the song’s immense popularity among soldiers—including General Erwin Rommel—forced the Nazi government to embrace it as a broadcast sign-off.
For soldiers in the field, the song’s nostalgic, melancholy tone symbolized the distant homes and loved ones they left behind. Allied soldiers in North Africa and Italy often listened to it as a nightly ritual, with some even adapting the melody to their own lyrics.
The song’s reach expanded further through the U.S. Office of Strategic Services’ “Muzak Project,” which used musical propaganda to influence enemy morale. As part of this effort, Marlene Dietrich recorded the song in German and performed it live for Allied troops across Europe. Dietrich continued to perform Lili Marlene throughout her career, including in the 1961 film Judgment at Nuremberg, cementing the song’s legacy as a poignant symbol of the shared loneliness and longing experienced by soldiers on all sides of the conflict. For Flo, the song’s melancholy resonated deeply with her own shattered state of mind.
Flo was depressed and I suspect that she suffered from what we now recognize as post traumatic stress disorder (PTSD) after witnessing so much destruction and death including the death of her fiancé, Gene Gustafson. She was quoted in a newspaper saying she was “surprised at the seeming apathy with which world affairs are considered by most persons.” She told me that Americans were most concerned with shortages of things like nylons and gas rather than the war. After the war they didn’t want to talk about it. Flo worried about the fate of Europeans, many of whom were homeless and starving, but Americans just wanted to move on.















































