Flo Boards the USAT George Washington at port of Le Havre
Chapter 115 My Mother and Audie Murphy
Flo and her cohort of Red Cross workers and G.I.s boarded the USAT George Washington at the port of Le Havre, France for the trip to New York. The ship was commissioned by the US Navy for troop transport in both the first and second world wars.
Orders. Flo was hoping to accompany her friend Janet Tyson on the ship home but it appears they missed each other. Flo wanted to visit relatives in Sweden first.Waiting to board the ship homeAt the port of Le Havre where most US ships departed fromLifeboat on the USAT George Washington“Nissen huts at Le Havre”Many flags. Photos by Flo Wick
An ocean liner built in 1908 for the Bremen-based North German Lloyd, at that time the George Washington was the largest German-built steamship and the third-largest ship in the world. Built to emphasize comfort over speed, she was sumptuously appointed in her first-class passenger areas and could carry a total of 2,900 passengers. Intended for Bremen to New York passenger service, the ship was named after the first president of the United States as a way to make the ship more appealing to immigrants, who then made up the majority of transatlantic passengers and believed formalities on arrival would be easier on a ship with an American name. After a fire, the ship was sold for scrap in 1951.
Chapter 114: Continuing the story of My Mother and Audie Murphy
On March 6, 1946, my mother, Florence Wick, received travel orders to go to Paris from Kassel Germany by rail for the purpose of returning to the U.S. She had been in Europe almost two years working as a Red Cross “donut girl.” She must have been delighted to be going home, and also to have the opportunity to visit Paris one last time. It would indeed be the last time she saw Paris.
Travel orders March 6, 1946
This is what as a child I remember Flo telling me about Paris. The fragrance on the overcrowded trams overwhelmed; people doused themselves with perfume to cover body odor. The public urinals were everywhere, except they were only for men. There was no place for women to relieve themselves. What were women supposed to do? she wondered.
One of the ubiquitous pissoirs. Photo: The Guardian
In the Louvre she got up close enough to the Mona Lisa to see that the painting was surprisingly small and covered with tiny cracks. She also said the only French most American soldiers learned was coucher avec moi, or “sleep with me”, probably asked as a question. But in general she was smitten with the romantic city.
She went to the Moulin Rouge and Tabarin where women danced bare-breasted. She visited famous museums. She saw fashion shows. And she recorded it all in her WWII album. She included pages from LIFE magazine’s feature about post-war Paris.
Paris was occupied by Nazi Germany from June 14, 1940, until its liberation on August 25, 1944. The occupation was marked by strict regulations, food rationing, and significant hardships for the civilian population, including the persecution of Jews.
Despite the oppressive conditions, a network of resistance groups emerged, engaging in acts of defiance against the occupiers. The liberation of Paris began on August 19, 1944, with an uprising led by the French Resistance and the Communist Party, culminating in the city’s liberation by Allied forces on August 25, 1944. This marked a significant turning point in the war and the end of the Nazi regime’s control over the city. To read more, I recommend the book The Liberation of Paris by Jean Edward Smith.
It Belongs Also to Parisians: Photographs for LIFE by Edward Clark Quoting from LIFE:“Paris, the grand courtesan of cities, is all things to all men, and this may be one reason why American soldiers and Parisians have been getting along so badly since World War II. The G.I. grew up in a generation when Paris to most Americans was a cheerful bawd: the Paris of Maxim‘s, the Ritz bar, the Moulin Rouge, the Scheherezade, and Boeuf sur le Toit, the Folies Bergéres, long-haired Montparnasse, feelthy pictures, the Quatz’ Arts Ball, and the Sphinx. To the young man who had seen this Paris in pictures who had read about it in Fitzgerald and Hemmingway, who had overheard wise conversations between his father and his uncle Tom, the Paris in which he found himself these last two winters was a grim and depressing disappointment. He found people who were cold, hungry, confused and tired–above all tired–who were too busy keeping themselves alive to bother much about entertaining him, who, because they were proud and sensitive to the shame through which their country had passed, resented his slurs and his swagger. And the G.I., in turn, felt cheated. Where was the Paris he had heard about? Where were the naked women?”
Paris was the capital of the fashion world. The industry started to come back to life in 1945 after the war. There was one fashion show but too little fabric. Then in 1946 the shows were bigger and better with a wider choice of fabrics. Flo attended several fashion shows and included stories about them in her album. It’s interesting to learn about the fashion industry scene right after the war. Paris was worried that it might move to the U.S. where it had moved during the German occupation.
Paris Makes Fashion Comeback
Quoting from LIFE magazine:“The haute couture of Paris, in a do or die bid for fashion leadership of the world, last month held its first complete fashion showings in seven years. During the fortnight in which the season reached its peak fashion, starved Parisians, important customers and a few foreign buyers were dashing to half a dozen shows a day from Lelong to Maggy Rouff to Rochas to the new wonder boys like Fath and Balmain.
The showings brought back the elegance of years that seemed long past. There were champagne and delicacies and soft music. French princesses came as did the Duchess of Windsor and the King of Egypt’s sister. What they saw made the experts feel that Paris had successfully regained the world fashioned leadership, which had passed by default during the war to the U.S. An analysis of the portfolio of photographs by LIFE‘s Nina Leen, first to reach the U.S., shows that the general trend is away from the “woman-cut-in-two” look toward a better proportioned silhouette. The new clothes follow body contours. Daytime skirts are a little longer and less full. Jackets dip in back. Shoulders are more natural. In afternoon and evening dresses the deep-cut fronts and bared shoulders (“bathtub decolletages”) reveal almost as much bosom as Restoration fashions. Reversing itself, Paris this year showed more colors and patterns than solid blacks. The luxury and glitter of the Paris showings made a strange contrast with the arrival in Washington of Léon Blum to beg a $2 billion loan. But, actually, the fashion export business is a big item in France’s trade. Last week all Frenchmen hoped that the prodigal shows would pay off in orders from all over the world, especially the U.S.”
Corduroy: A lowly, rugged fabric is used in new and elegant Paris styles
From LIFE:“For the past hundred years corduroy has been the sturdy, dependable fabric for work clothes. From the farms of Missouri to the vineyards of France, farmer and peasant have chosen it for its warmth and ruggedness. Made of cotton with raised ridges, it is almost indestructible. Like the tread on a tire, the ridges, which are called wales, protect the basic fabric against wear and tear. In the early 20s U.S. college boys began to wear slacks of corduroy and later college girls adopted it for jackets and skirts. But it retained its lowly character.
This spring the French haute couture took a good look at corduroy and discovered it offers more than wearability. It also has beauty. It has a velvetlike pile and good design possibilities in its ridges. Furthermore Cosserat et Cie., which since 1850 has been making all the corduroy in France, this year came out with bright new pinks, yellows and greens. As a result corduroy has now become a fabric for elegant Parisian clothes.”
Where the correspondents hung out
From the LIFE caption:The Scribe Hotel barroom is the headquarters and the hangout of correspondents in France. Here artist Floyd Davis found old acquaintances of the Time and LIFE European staff. At the table in center the New Yorker’s Janet Flanner, broadcaster William Shirer, and novelist Ernest Hemingway. Every other day, the bar served brandy, and then the place was crowded with correspondents who drank the brandy, they insisted, just to keep warm. Correspondents rushed out to the front to get stories. Disheveled correspondents rushed back from the front to file their stories. At any time, reporters could be heard complaining about sensors, brass hats, editors.
For the past year and a half, I’ve been tracing the life of my mother, Florence Wick, her service as a Red Cross clubmobiler, and her improbable intersection with the war hero Audie Murphy. Flo made a huge scrapbook after the war and I’ve been using that and her war diary to tell the story. I’m also telling Audie Murphy’s story using his autobiography To Hell and Back.
I’m pausing now to catch my breath, but the story is far from over.
45th Infantry Div. patch5th Army patch10th mountain division.Tenth Corps patchFlo’s dog tag30th Infantry insignia15th Infantry badge7th inf Reg. Wiling and Able
Patches and insignia of some of the combat groups Flo served with, along with her dogtag, tacked onto the inside covers of her scrapbook
To recap:
In May 1944, Flo joined the American Red Cross Clubmobile program and sailed for Naples on a hospital ship. A month later, she stood in the streets of Rome as it was liberated, alongside General Mark Clark. By high summer, she was at an army camp near Pozzuoli, leading a four-woman crew, serving doughnuts and coffee to soldiers on the brink of the invasion of southern France.
By late August, they were in France, chasing a front that refused to hold still. Somewhere in that rush, Flo fell in love—with a lieutenant named Gene. They planned to marry in October. A mortar shell ended that future before it began.
Winter came hard—1944 into ’45—frigid, dangerous, unrelenting. Flo and her crew followed the Third Infantry Division through France, often within earshot of the guns. It was here she handed coffee and doughnuts to a young soldier named Audie Murphy—not yet a legend, but already carrying the weight of one.
He would become the most decorated American soldier of World War II. Flo, meanwhile, captured something just as lasting: she took the only photograph of Murphy at a field awards ceremony. The photo became a famous icon.
In January, the division crossed the Rhine and drove into Germany. Flo kept working—serving men rotating through rest camps, offering small comforts in a landscape torn apart. At the war’s end, she witnessed the liberation of Dachau concentration camp and Berchtesgaden, Hitler’s alpine retreat.
She stayed on through the occupation, stationed in Austria and Germany. When she could, she traveled—Switzerland, England, German cities and towns, Brussels, Copenhagen, Paris—brief glimpses of a world trying to knit itself back together. She ended her stay with a visit to relatives in Sweden.
And that’s where we are now.
There is still much to tell. Flo’s scrapbook is bursting with post-war miscellany. How did Flo and Audie adjust to peacetime back in the USA? How did the war affect them and those who fought in combat? How did Audie Murphy become a movie star?
I’ll come back to the rest—after a little rest of my own.
Flo got leave to visit Swedish relatives in Feb 1946. She and I returned in 1979. The family grave at LugnåsWe visited it in 1979.Church and cemetery at Lugnås. The church was built in the 12th century.Grandma’s family home at Stora MyranIt was still there when we visited in 1979.“Skiing (?) in Lugnås”The farm at Stora Myran
Lidköping
Flo visited cousin Karin in Lidköping and we saw her again in 1979. She was a lesbian who adopted her younger caregiver. They traveled the world together.
Vener Canal, LidköpingTown square Lidköping. “500 years old in 1946”Still there 1979. Smokestacks are gone.Flo and I with her first cousins Greta and Elizabeth, Ingebritt and son“Land of the midnight sun”
Our Swedish relatives live near the southern shores of the two great lakes, Vänern and Vättern. Our grandmother, Gerda, grew up on a farm called Stora Myran, near the village of Lugnås.
Gerda’s father, Lars Persson (d: 1910) was first married to Sara Jonsdotter, who died in 1871. His second wife was Sara Nyberg (d: 1924). Altogether they had 16 children, and you can see why I have trouble keeping track of them all. Some died and most, including Gerda, emigrated to the US. Two daughters, Julia and Amalia, stayed in Sweden.
Luggage tags from Flo’s travels in SwedenThe Swedes gathered in Mariestad to welcome FloFlo captioned these pictures “Mariestad, Sweden (Aunt Amalia’s home)”. This is where she stayed while visiting the relatives.Sometimes they traveled by ski. Cool contraption to replace poles, maybe like training wheels?Aunt Amalia (I think), one of the two daughters who did not emigrateCousin Britta threw a party and made a cake that says Welcome FlorenceCake and coffee reprise. Cousin Ingabritt, Molly and Flo visiting in Jönköping, 1979. Flo died four years later in 1983.
Flo Requests Compassionate Leave to Visit Relatives
My Mother and Audie Murphy Ch. 110
Sweden maintained official neutrality in the war but made pragmatic concessions to Nazi Germany—exporting crucial materials and allowing troop transits to occupied Norway and Finland—while also expanding its military, sheltering thousands of Jewish and political refugees, training Norwegian resistance fighters, and sharing intelligence with the Allies. As the war turned, Sweden steadily curtailed cooperation and nearly ended trade with Germany by late 1944. Historians debate this legacy: some see pragmatic neutrality that preserved independence and enabled humanitarian acts; others criticize compromises that prioritized economic interests over moral responsibility.
Flo and I traveled to Sweden and Norway in 1979, and we visited all the Swedish relatives still living that Flo saw in 1946. We saw Flo’s mother Gerda’s birthplace, and the towns Flo had visited. From talking to Norwegians I got the feeling then that they had not yet forgiven the Swedes for cooperating with the Nazis during their five-year occupation of Norway. In 1979 there were still those, like my mother, who remembered the war. Perhaps the younger generations no longer hold a grudge.
Request for Compassionate Leave“This is the best place I’ve been in all Europe,” wrote Flo
Flo’s Photos of StockholmFebruary 1946
Changing guard at palace in snowstormGuards at the palace Midsommer 1979
A Reader Helped Find More Infomation About the Clubmobiler
My Mother and Audie Murphy Ch. 109
Mary McAuliff joined Captain Flo’s clubmobile crew at the end of 1945. Aside from the pictures in Flo’s album, I could find no information about her. Then a reader from Asturias, Spain reached out with more particulars. He sent some pictures and news stories, and also details about his research.
Mary McAuliff in the clubmobile. Photo: Flo Wick
Mary McAuliff, born August 27, 1920, was from Brooklyn, New York. Her father was a doctor. She had departed for England in February, 1945. She sailed back to the U.S. from Le Havre, France arriving May 28, 1946. She was married in 1947 to William Robert Palmer at St. Paul’s Episcopal Church in Flatbush. They had two daughters. William died in 1959. Mary died at 99 in 2019.
Most clubmobile and WWII American Red Cross archives were destroyed in a fire. The only accessible list of clubmobilers is in the book The ARC in the Storm, by Marjorie Lee Morgan, but the book does not include all the women. I learned that the best way to find the clubmobilers not listed in the book is from ships manifests. Here are the passenger lists that included Mary and Flo.
Mary’s is the last name on the list, which tells date of birth and addressHere is the passenger list from Flo’s ship. She is fourth from bottom
Flo stopped in Copenhagen on her way to visit relatives in Sweden. In a postcard home Flo wrote, “Copenhagen is a lovely city and the food is wonderful–milk, steaks, ice cream.” The city had escaped the ravages of war as few other European cities had.
Permission from the consulate. Flo was born in 1913, not 1915.
Denmark was invaded by Germany on April 9, 1940. The Danish government opted for a swift surrender to avoid destruction, leading to a period of occupation where they maintained some autonomy and collaborated with German authorities. Denmark supplied food and resources to Germany, but resentment grew among the population against this cooperation.
As occupation continued, resistance movements emerged, notably organizing the rescue of around 7,200 Jews, who were smuggled to Sweden in 1943. Denmark was liberated by British forces on May 5, 1945, after five years of occupation. The aftermath prompted national discussions on collaboration and resistance, significantly influencing Danish society and identity in the post-war era.
Flo’s photos of Copenhagen in her album“I wish you were here with me,” Flo wrote to her mother.Copenhagen street scenes
Flo and her comrades got together for an indoor BBQ supper in February probably in an effort to recreate an American picnic. It was sponsored by the Third Signal Company, the photographers attached to the Third Infantry Division who joined the division at Anzio. Their photographs are posted at dogfacesoldier.org.
Cotton Balers. The 7th US Infantry Regiment is one of the five oldest continuously serving regiments in the U.S. Army, initially organized in July 1798. The regiment earned its nickname, “The Cottonbalers”, from its use of cotton bales as defensive works during the 1815 Battle of New Orleans. The regiment deployed early on in 1942’s assault on Morocco. They went on to serve across North Africa into Sicily and Italy, up through France, and then participating in the capture of Berchtesgaden.
Stella the Belle of Fidella is a song sung by soldiers who joined the war in Casablanca. Stella, it turns out, was just starving.
“This Arabic honey has no use for money: She spurns even five hundred Franc notes In order to win her just give her a dinner It’s much more effective than bank notes”
Still no wine
Dog-faced soldier is the official song of the Third Infantry Division. In this version the word “Jap” replaces the word “Kraut.”
The town of Mignano sits trapped between steep, craggy peaks, their sheer faces scarred by war. The Nazis are dug in, their defenses embedded in the rock like stubborn roots. The strategy is clear — avoid the town and strike straight at the mountains surrounding it. But the terrain is merciless. Cliffs rise like walls, gorges cut deep into the earth, and even surefooted pack mules often slip, falling to their deaths. When the animals fail, the soldiers must take over, crawling on hands and knees, dragging supplies through mud that swallows boots whole.
Bill Mauldin (1921–2003) — Pulitzer Prize-winning cartoonist famous for his WWII characters, Willie and Joe, depicted the hardships of American soldiers with grit and humor.
On a reconnaissance mission, Audie Murphy and his squad find themselves stranded on the side of a mountain above Mignano. They walk straight toward a German tank, so expertly camouflaged that they miss it. As the snout of the cannon is lowered at them, they run like hell for a clump of bushes. One soldier breaks his leg in the rush. They drag him into a ditch and lose the tank.
Several assaults on nearby Mount Rotondo are pushed back. Lines are confused by enemy fire. Murphy mistakes a Nazi patrol for allies. When he realizes his mistake, he starts firing. Now the enemy knows where they are. With no choice, they scramble up the rocks, reaching an abandoned quarry where they settle in for the night.
At dawn, they ambush a Nazi patrol. The fight is brutal and quick, but the cost is high. Three German soldiers lay dying.
Mauldin drew six cartoons a week during the war. He was only 23 when awarded the Pulizer Prize.
“The wounded must be got under cover. The peculiar ethics of war condone our riddling the bodies with lead. But then they were soldiers. (The machine gun) transformed them into human beings again; and the rules say that we cannot leave them unprotected against a barrage of their own artillery,” Murphy wrote.
Murphy’s squad is forced to stay with them, listening to their labored breaths as a cold mountain rain washes over the quarry.
“When dawn breaks, two of the Germans are dead. Their eyes stare glassily. Their mouths are open and the old man’s swollen tongue protrudes between his teeth,” Murphy wrote.
For three days artillery rains down, death echoing off the cliffs. The men remain trapped.
On the third day, the third German dies. In the light of the moon that night “the faces of the dead seem green and unearthly. That is bad for morale, as it makes a man reflect on what his own life may come to.”
After the war, Mauldin became a political cartoonist, advocating civil liberties. He also appeared in John Huston’s film The Red Badge of Courage (1951) starring with Audie Murphy.
Murphy is near breaking. “My eyeballs burn, my bones ache; and my muscles twitch in exhaustion. Oh, to sleep and never awaken. The war is without beginning, without end. It goes on forever.”
Then, at last, the sound they have been waiting for — American artillery. The shells scream through the air, bursting against the rocks like salvation.
“If there is one thing a dogface loves, it is artillery — his own.”
American Red Cross workers, too, must contend with mountains and mud.
From a Life Magazine story pasted in Flo’s album
On Christmas Day, 1943, high in the rain-drenched peaks, a soldier huddles in his foxhole, staring at a can of C-rations — his holiday meal. Then, out of the swirling mist, she appears. Isabella Hughes of Baltimore, a Red Cross clubmobile worker, crouches on the lip of his trench, one hand gripping a box of doughnuts, the other holding a steaming pot of coffee. The soldier blinks, then exclaims, “Good Lord, sweetheart! What in hell are you doing here?”
Isabella Hughes was one of the first ARC workers to get to Italy, in 1943. She would later join Flo’s clubmobile crew in Naples.
The clubmobile was a two and a half ton Dodge truck fitted with a kitchen and windows. Workers sometimes slept in it or under it.
Italy’s roads, slick with rain and churned to sludge, are brutal even for military transport. The clubmobile — a sturdy machine — proves no match for the mountains. When roads vanish into goat trails, the Red Cross workers adapt. They take the Army’s weapons carriers, pushing higher, until even those fail. Then come the donkeys and mules.
Two clubmobile workers, Margaret Decker of Towaco, New Jersey, and Gladys Currie of Greenwich, Connecticut, volunteer for an impossible task: deliver coffee and doughnuts to a unit stationed atop a remote peak. No road leads there — only a narrow mule track winding up the mountain’s spine. The Army offers them transport, if they’re willing to ride donkeys up the perilous slope. They accept without hesitation.
The climb is slow, the air thin. Their donkeys pick careful steps along the treacherous trail. The doughnuts are packed onto a mule. At last, they reach the summit. The men are waiting — shaved, cleaned — their arrival announced on the camp bulletin board like the coming of long-lost friends. As the ARC workers pour coffee, the soldiers form a circle around them, an island of warmth in the cold mountain war. Mortars shriek in the distance. Shells thunder through the valleys below. But for a moment, they all pause, talk, and remember something beyond the battle.
Their bravery does not go unnoticed. When the U.S. Army Rangers commend Lois N. Berney of Fallon, Nevada — a clubmobile worker once secretary to Harry Hopkins — it is understood that the honor belongs to all of them. From General Mark W. Clark down to the last rifleman, the Army recognizes the Red Cross women not just for their courage, but for bringing something human to the inhuman mountains.
From Audie Murphy’s autobiography, “To Hell and Back,” and from “At His Side–The Story of The American Red Cross Overseas in WWII” by George Korson
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