Love the film, hate the church

I think of the catholic church as a dangerous cult and that perspective was only reinforced when I watched the movie The Novitiate, about a cloistered order of nuns and its response to the directives of Vatican II in the early 1960s. From the movie, directed by Maggie Betts, I learned that 90,000 nuns left the church after Vatican II, which devalued nuns and left them without support of the church.

2nuns
Barb and I as bad nun good nun

The protagonist is a 17-year-old novice played by Margaret Qualley, but the star of the show is the angry, strict mother superior played with force by Mellissa Leo (remembered fondly as the lawyer in Treme). She represents the old habits and choses to ignore the new catholic rules until the cigarette-smoking, newspaper-reading archbishop visits and “suggests” she begin implementing the protocols if she wants to keep her job. We learn that she has never set foot outside the convent in 40 years and we sympathize with her bitterness and frustration.

Some of the old disciplines that must be abandoned include the medieval practice of self-flagellation. In this order the novice must ask the reverend mother for the “discipline,” a stranded leather whip with knotted ends and she must tell mother the fault or lapse that deserves punishment. Another curious practice is an activity in which each novice kneels in the middle of a circle of kneeling novices and confesses her faults to the reverend mother. In an odd way it resembles the encounter groups that were just taking off in that era.

All who lived in the cloistered convent observed hours of silence and they developed a sign language to communicate. The novices spent time on their knees or crawling on hands and knees or prostrate on the floor in penance for sins against god. Touching other human beings was strictly forbidden. But the protagonist, sister Cathleen, seeks comfort in the infirmary after having starved herself in penance for a sexy dream. She hugs and kisses another novice, who it seems has been transferred here because of lesbian exploits in another order. And so the constant undercurrent of sexual attraction finds expression and then contrition. Guilt abounds.

For me, the catholic church represents a historically misogynist institution bent on maintaining control over women, our bodies, our reproductive lives, even our intimate relationships. It damages not just catholics, but all women and the cultures we live in all over the world. Hate is not too strong a word for my feelings, especially since the church continues its anti-woman postures and politics.

I believe no one truly recovers from catholic propaganda, especially when immersed as a child. The dictionary’s alternate meaning of propaganda: “A committee of cardinals of the Roman Catholic Church responsible for foreign missions, founded in 1622 by Pope Gregory XV.”

Author: Molly Martin

I'm a long-time tradeswoman activist, retired electrician and electrical inspector. I live in Santa Rosa, CA. molly-martin.com. I also share a travel blog with my wife Holly: travelswithmoho.wordpress.com.

3 thoughts on “Love the film, hate the church”

  1. Love the article. As a lifelong Catholic I’ve always wondered why nuns stayed in the church. It’s always been make dominated. We were raised in the church so I can see some of its positives. You hit the nail on the head with the patriarchal structure.

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    1. I think women–nuns and catholic lay women–appreciate the community. The work in the church is done by women. They hold up the patriarchal structure and to their credit they have been trying to reform the church. But the resistance of the institution is powerful and makes us realize how misogynist it really is.

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