How the Lesbians Invaded

We had been powerless tenants, evicted with no recourse, and then we became agents of displacement. There was no in between.

My collective household of four lesbians had found a place on Castro Street, one of those original Victorians with high ceilings and elaborate wood trim, an abandoned coal fireplace and a parlor whose big sliding doors opened to double the size of the room. It was rumored that the apartment had come up for rent because the previous tenants had been busted for selling weed and were all in jail. We embellished the story to claim that the famous Brownie Mary had lived there. She may not have lived there, but she had certainly been there in spirit. It was the seventies; the Castro was becoming a gay men’s mecca. During our time there a housepainter engaged to paint our building ran a brothel turning tricks in the building’s storage room. He painted that building for months.

We fondly remember political gabfests at shared dinners, Seders in which we sang all the way through, inventive costumes at Halloween parties (in the year of Anita Bryant I came as a lesbian recruiter). For a time our costume du jour at home was simply a vest, a way to show off a billowing bush and legs as thickly furred as animal pelts (we were hairy and proud!). We danced and sang along to Stevie Wonder and Lavender Jane Loves Women. There was much laughing and also much crying. Passionate love affairs abounded. Creating a new culture calls for invention. We tried out nonmonogamy, polyamory. We felt we were on the cutting edge of a cultural transformation.

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The original collective: me, Pam, Ruth S and Ruth M about 1978

When the gay male couple from New York, or maybe LA, bought the three-unit building in 1978 they immediately evicted us. We had no recourse; rent control was still a few years off. We found a smaller apartment on 29th Street just off Mission in the neighborhood we now call La Lengua. Our landlords were butchers, brothers who ran a shop on Mission right next to what later became Cole Hardware. Weirdly, the buildings on 29th Street and Mission Street were connected. Our apartment always smelled like dead meat, like something had died in the walls.

We liked the spot—right behind the Safeway parking lot and across the street from the Tiffany gas station. Pauline’s Pizza was just across Mission and Mexican restaurants like Mi Casa proliferated. I bought my work clothes at Lightstone’s; the post office was right next door. The building’s ground floor held a printer’s shop and the second floor was just a big meeting room that was rented by Union Women’s Alliance to Gain Equality (Union WAGE) which allowed other organizations like Tradeswomen, Gays for Nicaragua, Lesbians Against Police Violence and the Briggs Initiative opposition to meet there.

My collective of four politically active dykes—me, two Ruths and a Pam—was happy. We cooked and ate together and invited interesting people to share dinner. Jews and militant atheists ruled. I learned about Jewish culture. The Christmas tree was relegated to a bedroom. It was bliss, except that with visiting lovers and pets (one a gigantic great Dane) and parents and friends the place was just too small. Finally we decided that we either had to pool our money and buy a bigger place or split up the collective. Ruth M decided to pull up stakes and live with her lover and so my lover Nancy became part of our collective.

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37 29th Street about 1978

We were earnest idealists; we were gay activists; we had just lived through the horrors of the Moscone Milk murders and Jonestown and the election of Reagan. We were committed to live ethically and, even in the midst of what felt like political chaos, we fervently believed we could change the world, ending US imperialism, racism, police violence, and discrimination against women and gays. We were part of a collective movement that emphasized cooperation and consensus decision-making, a radical departure from capitalist organization that resulted only in winners and losers.

We listed our requirements for the new house. Ruth had to have a garden. I desperately needed a garage to store my electrical contracting tools and supplies. We had to be close to public transportation. We didn’t want a fixer upper; no one had time for that and I was the only skilled tradeswoman. We were committed to collective living and we also fantasized about eventually dispensing with private property. What if we could donate the place to a land trust so that our dream of a lesbian nation could live on into future generations?

We negotiated a contract. What would happen if one of us died or ended up in jail or for some reason couldn’t make her payment? How would we sell and buy shares in the building? What if we needed to make repairs or improvements? We listed all contingencies. We were good at processing—we were lesbians!

We imagined a larger single-family house, one with four real bedrooms, but then when we found the three-unit place on the south side of Bernal Hill our imaginations blossomed. We would no longer have to share one bathroom and one kitchen, but we could still cook and eat together whenever we wanted. Instead of negotiating for time to call each of our telephone trees on our shared phone, each could have her own phone.

The listing price was $135,000, an incomprehensible amount. A hundred thousand then felt like like a billion now—you couldn’t get your head around it. Still, we dug deep and came up with the down payment, only because Pam was able to borrow money from her family. Then we wrote up a new contract to repay Pam by the month. We got pretty good at writing contracts.

As soon as we took possession in 1980, our place in the property hierarchy changed. We became agents of displacement. All three of the units were occupied. Each of us had to evict tenants before we could move in and none of us could afford to pay both rent and mortgage for long. Oh the contradictions! I talked with the couple in “my” unit, offering to help them find a new place. Our exchanges were friendly and civil, and they soon found new housing. But Ruth couldn’t even get the tenant in “her” unit to open his door, though she could hear him spewing expletives from the other side. She resorted to lawyers and eviction notices.

We weren’t the first lesbians to move to Bernal Heights. Political activist Pat Norman and her large family lived up the block. A lesbian couple had settled just around the corner on Andover. But there were four of us, and with friends and lovers coming and going we were hard to ignore. People in the neighborhood noticed. Homophobia took the form of nasty notes left on car windshields, DYKES graffiti on the building. Two neighbors who grew up on the block, guys about my age, made it clear they understood what we represented—a lesbian invasion. Years later, when our relationship had grown friendlier, one of them confided, “We were watching you.”

As much as we wanted to live collectively, the house on Richland restricted collectivity. Having separate apartments led to fewer shared meals, less knowledge of each other’s daily lives. I retreated into the dreaded merged lesbian couple relationship. After a few years the original members began to sell their shares and move out while others bought in. At the cusp of the 80s our world changed. That frantic hopeful creative collective time was ending.

But we are still here. Since the birth of our dyke-owned dream, we have aided the lesbian colonizing of San Francisco and particularly Bernal Heights. With each refinancing (too numerous to count) and buyout, our property underwrote the purchase of new female-owned houses. When we started, four single women buying property together was rare and suspect by financiers. Tenants-in-common was not a typical way to hold property. Since then it’s been adopted by the real estate industry as a way to make buying of increasingly expensive property possible for groups of unrelated individuals.

We were agents of change, the leading edge of a new wave of homeowners in the Mission and Bernal Heights. But change is not new to our neighborhood. As one of the authors of a small history of Bernal Heights, I researched its historic demographics. Irish squatters displaced the Mexican land grant Californios. European immigrants made homeless by the 1906 earthquake and fire moved earthquake shacks here and built new homes. Southern Italians colonized the north side of the hill. Germans, Swedes and Italians built churches here for ethnic congregations. Mexicans and blacks found a neighborhood free of racist covenants and restrictions, although Bernal was not outside redlining boundaries. During the economic downturn starting in 2008, big banks (locally based Wells Fargo gained our enduring hatred) evicted scores of homeowners, most of them people of color. Now houses on this block are selling for millions and the techies are moving in.

The life we built is changing. Pat Norman retired, sold her house and moved to Hawaii. My long-time friend on Andover, the first lesbian I met in the neighborhood, just sold her house and moved to Oakland. And now I’m selling the apartment where I’ve lived for 37 years in order to colonize a neighborhood in Santa Rosa. Our particular experiment may be ending, but the neighborhood is still full of dykes.

In Bernal Heights, lesbians found an affordable generally accepting environment. At one time I heard that the neighborhood was home to more woman-owned property than any neighborhood in the country or in the world. Who knows; that may still be true.

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Finding Wonder Women in the Tenderloin

My story, Wonder Women, posted on this blog on 9-18-15, which takes place in a Tenderloin cross dressers’ bar, is based on true events. But I couldn’t remember exactly where the bar was, and I couldn’t remember the name of the bar. So uncovering the facts required some sleuthing.

I needed to find an old-timer who had been there. So I set about describing this gritty watering hole, as best I could remember, to every old codger gay guy I knew. Nobody could remember having been there, or maybe they just weren’t talking.

I had a vague memory that the bar was associated with Charlotte Coleman, who owned a number of gay bars in San Francisco from the 1950s through the 1990s. During the 1970s Wonder Woman Electric worked on the electrical systems in many of her bars as well as in her home in Noe Valley. I learned that Charlotte, in her 90s, lived in an assisted living institution in Vallejo. Then I was lucky to meet an old friend of hers serendipitously. Roberta, in her 80s, regularly visited Charlotte and offered to drive me there to meet her.

In the meantime, I discovered a website, Lost Gay Bars of SF, with a map made by a guy named Mike Stabile that shows the locations of gay bars in San Francisco from the 1960s through the 1980s. I needed the name of the bar or the address to use this resource. I was stuck. But Mike responded to my questions in a Facebook message. He thought the bar might be Aunt Charlie’s Lounge on Turk Street, still there, perhaps the very last of the old Tenderloin gay bars. I googled Aunt Charlie’s and found an informative web page with interviews of some of the old timers. http://www.auntcharlieslounge.com. Could this be the bar I was searching for? It looked just as seedy as I remembered. And Aunt Charlie’s still has drag shows! I had to go there.

By the time I could arrange to meet Charlotte, her health had deteriorated and new visitors were no longer welcomed. But I did get Roberta on the phone and described the bar to her. Sure, she said, she remembered that bar. It was called the Blue and Gold and it was on Turk Street. It was a black and white bar, she said, meaning it was racially integrated. It was Charlotte’s most notorious bar, site of nearly nightly fights and disturbances. “They broke the toilet regularly.” But the Blue and Gold made far more money than any other bar, Roberta remembered.

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Site of the old Blue and Gold

Blue and Gold! I had the name! I had the street! Now I could use the Lost Bars map to locate the bar. I quickly found the address: 136 Turk. The description on the website said the piano bar opened in 1947 and closed in 1993. The Blue and Gold had been right across the street from Aunt Charlie’s Lounge.

I chose a Saturday afternoon for a visit to Aunt Charlie’s, knowing that I’d be unlikely to stay up late enough to hit the drag show. The one hundred block of Turk Street still rates high on the funky list. But the bar’s regulars and bartenders welcomed us two old dykes and were happy to talk about the old days. Barry, who had tended bar at Charlie’s for decades, remembered the Blue and Gold, as well as dozens of other neighborhood gay bars, all closed. The building’s exterior had been covered in blue and gold tile, he said. (Nobody knows what the colors meant in 1947. A hangout for Cal alumni?) It has been painted over recently and it now houses the SF City Impact Rescue Mission. I noticed that the address is now 140, not 136, Turk.

Feeling in a historical mood, we strolled the couple of blocks over to the new Tenderloin Museum, housed in the historic Cadillac Hotel. There we learned about the rich history of the Tenderloin neighborhood, including the gay and transgender scene in the 1960s. The Compton Cafeteria riot in 1966, “one of the first demonstrations against transgender and transsexual violence in San Francisco,” took place right up the street from the Blue and Gold. It was a fitting completion of my magical history tour. Tenderloinmuseum.org.

 

Wonder Women

My first close-up encounter with drag queens took place in a Tenderloin bar when I worked as an electrician for Wonder Woman Electric in the late 1970s.

An all-female collective of electricians, we did mostly residential work. But our regular commercial accounts included some of the multitude of San Francisco gay bars. Each of the bars catered to a particular subculture in the larger gay community. Lesbians had a few bars and coffee houses. But bars for gay men proliferated. There were bars geared toward disco queens, the leather crowd, the sweater gays, uniform wearers, beach bunnies, cross dressers, fairies, bathing beauties–really more than I could even imagine.

One day in the middle of the week I was called to a hole-in-the-wall bar in the Tenderloin. When I finally found a place to park the Wonder Woman van, it was blocks away and I had to lug heavy tool bags through streets lined with junkies and drunks. This was the bad part of town.

I found the address on Turk Street, a nondescript brick front building. The door was locked, but I saw a discreet push-button near it. I pushed it and after a moment a beautiful young man, far more femme than I, greeted me. He wore matching coral pedal pushers, cardigan and mules with little heels. He did not look pleased to see me.

“I’m the electrician,” I said hopefully. “Ok,” he said, looking me over. Then his perfectly lipsticked mouth curled into a little smile. “Come with me. We’ve been waiting for you.”

A small town girl who’d only lived in San Francisco for a year or so, I had just barely come out as a lesbian and had little experience with drag queens, transsexuals or transvestites, especially not the big city kind.

Stepping from the gray Tenderloin street into that little bar was like entering the Harry Potter toy store at Christmas. Lights and colored decorations hung from the low ceiling. Glitter littered the grungy floor.

I was surprised to see a good number of patrons at the bar in the early part of the day. Some sat at the bar, some at tables, but all looked fabulous. Most were men dressed in women’s clothing. Some dressed as over-the-top made-up drag queens, but most looked more like the gals from the office across the street, dressed in low heels and conservative skirts and blouses. I thought I overheard one of them say “fish” which was pretty funny considering I was the butchest thing in the room, wearing a flannel shirt, jeans and work boots.

The bartender looked like a tough sailor just off the boat who’d thrown on a shoulder-length blonde wig and serious makeup—several shades of eye shadow and bright red lips outlined beyond their natural borders. He worked the bar in a tasteful tailored Donna Reed housedress, popped collar and pearls, and ran the joint with cutting sarcasm. I felt like I was encountering the Wizard of Oz and had to keep myself from jumping back like Dorothy did when she and her three cohorts first encountered him. A person could not help being intimidated.

“Here’s what we need,” he directed me. “I don’t want the patrons to use the bathroom without my permission. They get in there, lock the door and stay. And, honey, we all know what they do in there.” I could only speculate. Drugs? Sex? Probably both. Lesbians had been known to use the bathrooms in our bars for such purposes. Where else could a couple go? And if they were quick about it and others didn’t have to wait too long, we were usually forgiving.

The bartender continued, “I want to be able to push a button right here under the bar to unlock the bathroom door when someone wants to use it. Can you set that up?”

This drag queen was also a Control Queen! I looked around the room at the disapproving patrons. I was going to be responsible for limiting their bathroom privileges. I was already the villain and I hadn’t even done anything yet. But I was certainly capable of installing a push button and door lock. It would be all low voltage, so I’d just have to put in a transformer and run low voltage cable. I wouldn’t need to run pipe or install junction boxes. “I can do that,” I said.

I got to work, planning the job. Could I run the low voltage cable under the floor? Yes, said the bartender. There was a full basement. The beautiful young man ushered me down to the basement, a dank, spiderwebby space with a hundred years of grime on every surface. I had to figure out where to drill through the floor to run wires from the bar to the door lock. The job took me up and down the stairs and back to the van to retrieve materials. I focused on my work and I was relieved that the patrons went back to drinking and dishing.

Finally the job was finished. I emerged from the basement coated in its crud, looking more than ever like a construction worker.

“Let’s test it,” I said. I gave a nod to the bartender who pushed the button. The door buzzed open and, with a flourish, a patron entered the bathroom. It worked! Like electricians everywhere, I always got a thrill when I flipped the switch and my masterpiece (no matter how small) performed as intended. But I didn’t usually have an audience.

These patrons understood drama far better than I. The dramatic moment of the day was all mine. It was as if I were making my big entrance, walking down the runway, head held high. They had all been watching closely and when the door opened, they let out a big cheer. I bowed to the applause. The dyke and the drag queens. One big happy family.

Wedding: A Story About Family and Queer Fashion

“Jesus Christ, it’s 1979. Why do they need to get married? They’ve been living together for five years. No one in the family disapproves. Why do people feel compelled to have the state sanction their relationships?” Don let me rave. Neither of us could answer these rhetorical questions. He couldn’t have been any less enthusiastic about our brother Tim’s wedding than I was. We knew that neither of us would ever have a family wedding with all the attendant fussing, well-wishing, presents and cultural sanction, not that either of us would want one.

“You don’t suppose there’s any way we can get out of going,” he said in a resigned tone.

I considered this. Our attendance seemed like a small price to pay to avoid the disapprobation that surely would result from our absence. “We can stay in the background. At least we’re not being asked to be bridesmaids.”

I could hear my brother sigh on the other end of the phone. “To be a bridesmaid,” he said, “has always been a great fantasy of mine.”

“I see what you mean. If I could be best man, I could rent a tuxedo. Fuck! What will I wear?” Don was silent, and I knew he wasn’t worrying about what I’d be wearing.

“Don, if you’re thinking about wearing a dress, just forget it right now. This is not the big city or some trendy college community. This is cowboy country. You’ll get the shit kicked out of you.”

When we said goodbye, I wasn’t entirely sure I’d convinced him, and I wondered how my outrageous brother managed to stay alive without me as his constant bodyguard. He insistently challenged assumptions about dress and gender, which was a dangerous thing at a time when the moral majority felt its grasp on the reins of cultural definitions slipping.

The truth was, just by being my natural self, people—both children and adults—were always confronting me about the nature of my gender. They would yell out of windows or from cars as I walked by, “Are you a boy or a girl?” Or I would be mistaken for a gay man. “Faggot!” they would yell, and speed off before I could correct them: “You idiot! I’m a dyke!”

I had learned that knowledge of gender is extremely important to people. They need this information before they know anything else about you. And once they get you pegged, to be surprised makes them inexplicably angry. All their assumptions are suddenly being challenged. It’s like you’ve called into question some intensely personal assumptions about who they are in the world.

I figured the problem wasn’t me, but how people expected women to look and act. To be feminine required performing unnatural acts—shaving one’s body hair, wearing sticky make-up and carefully coiffed hair, being quiet, wearing odd clothes and uncomfortable shoes, walking with short picky strides. I had practiced these ritual gestures at one time, but the feminist movement had released me. I was free and I was never going back now.

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An example of what women were expected to wear in the 1970s. Hot pants were required for many waitress jobs.

Unfortunately, my freedom from convention left me completely unprepared to dress for Tim’s wedding. I had no dress-up clothes. As a matter of principle I’d stopped wearing dresses in 1970. Since then the contents of my closet had been recycled from thrift stores. As a working electrician in those days of butch dykedom, I could just wash my flannel shirts and jeans and wear them to the bar. No one I knew ever got dressed up, and if they attended weddings, they never told me. So what does a nonconforming, revolutionary lesbian wear to a heterosexual wedding?

At the airport I searched the Nordic crowd of Seattleites for Don’s dark head. I never knew what to expect. He’d been a hippie with a thick ponytail and full beard last time I’d seen him, but personas changed from year to year. He was not at the gate and I wandered until I heard my name called from a waiting area.

Then I saw him, relaxing back into one of the lounge chairs like a queen, newly clean-shaven and wearing giant turquoise butterfly earrings, a flowing scarf wrapped around his shoulder-length hair, tied in back. “I thought it was time to relinquish my male privilege,” he smiled.

In the short 150 miles or so between Don’s home at the foot of the Olympic Peninsula to Yakima, the land cracks and dries up like the edges of those Janis Joplin posters you rehang in each new collective house. Snoqualmie Pass takes you from a rich, dripping, evergreen rain forest over the snow-capped Cascades, past ski resorts and the shorn heads of clear-cut hills in to the Kittitas Valley, flat pasture dotted with Black Angus cattle.

Up over the Manashtash Ridge, a new freeway replaced the winding two-lane road along the Yakima River. Beyond irrigation, only sagebrush–ubiquitous in the valley–flourishes. From the west side of the ridge you can see the town of Ellensburg surrounded by the patchwork of pastures, ground crops and brown earth, and above that the sharp white peaks of the Wenatchee Range. As you continue east, your nose dries up and your hair electrifies, the sky turns intense blue and if there are clouds they look like puffs of bleached cotton. Then, just before the Yakima Valley appears below, if you look to the south, you see the round, white tip of Mt. Adams peering over those dusty brown hills, incongruous.

On that March day the chill air cracked and the sagebrush cast bright shadows on patches of snow as Don drove the Subaru down into the valley past big cattle ranches and their animals with thick winter coats, then smaller farms, past apple and pear orchards just starting to bud.

Our mother, Flo, rushed out to meet us as we pulled into the gravel driveway. She was dressed in her usual polyester pantsuit in bright colors. We hugged her thin frame in turn. Then, as she stood back to look at him, she brushed my brother’s hair away from his face. “Don, I wish you would do something with your hair.” (He had diplomatically removed the scarf.)

Don frowned. “Oh, Mom.”

I thought Don’s hair was beautiful—thick and dark and curly. I’d always wished I had inherited that head of hair from our mother. I might be wearing mine in the same long style. Instead, I wore my straight brown hair short, lately in the shag style Jane Fonda popularized in the movie Klute.

“Ok, you guys, come on in,” she said, “I want you to see the new solar addition Tim put on the house.”

Flo was never much of a housekeeper, but she was a genius at making this century-old farmhouse feel like home. We had bought the run-down five-acre place when I was ten, and remodeled it ourselves. Flo had filled it with antiques she’d collected from junk stores before they were called antiques and priced to match. She always had to show us her new finds.

We visited for a while, then went out to say hello to our younger brothers Tim and Terry, whose four-wheel drive pickups were parked further up the driveway. My parents’ place, which sat down in a hollow, had several outbuildings, all painted Swedish red with white trim like the house. The big old barn had been converted to a garage. Next to it was the chicken house surrounded by its chicken-wire pen. On the other side of the garage was the three-stall horse barn on which I’d painted a stylized picture of a horse years ago. Between them was what we called the doghouse, a rectangular structure that was once a container crate. Someone had given it to my father years ago, and he set it on a slab and cut a door in it saying he’d have a place to go when he was in trouble with Flo. Over the years we’d fixed it up into a nice little apartment with electricity and running water and windows. All of us had used it at one time or another to get away from the house. I’d stayed there on summers home from college. For the past several years Tim and Diana had lived there together.

Tim answered the door, a tall, solid figure with a sparse beard and lanky brown hair. “Hey, how the fuck are you?” he said. We passed hugs around. “I’ve got some great pot this year. We’re just drying out a little.” He pointed to the toaster oven. “Smoke a joint?”

Don smiled. This was what he’d been waiting for. Yakima’s hot dry summers are perfect for growing pot. Tim and Terry grew fine pot when it didn’t get harvested prematurely in the middle of the night by one of their delinquent friends. One year they threw seeds around the farm indiscriminately and plants came up everywhere. One or two flourished in the middle of the gravel driveway.

We threw ourselves on the old foldout sofa. Terry passed out beers.

“So, what’s the plan,” I said to Diana. What family events are we signed up for?”

My girlfriends are giving me a shower tomorrow,” she said. “The wedding’s on Saturday. It will be fun, you guys. We’ll have dinner at the grange hall afterward, and Tim’s friend Duane plays in a band. We can all dance. Tim’s been taking dancing lessons.” Diana was a dancer and a ballet teacher. I don’t believe Tim had ever danced in his life or wanted to.

“What are you wearing,” I asked.

Diana waltzed over to the closet and pulled out a plain white dress that was made interesting by the triangular pieces of green hanging like stalactites from the hem. It reminded me of a costume I’d seen in a performance of Peter Pan. “I made it myself,” she beamed.

“It’s beautiful,” Don and I exclaimed in unison. We looked at Tim.

“Bought a suit,” he shrugged.

“It’s very handsome,” said Diana, replacing the dress in the closet and pulling out a blue suit. “We had trouble getting it to fit in the shoulders. He’s so wide.”

Tim sucked at the joint and then smiled sheepishly.

“Now don’t worry,” Diana said, “You’re going to look great.”

“I have to go shopping,” I said.

The next day my mother and I set out to find me a wedding outfit. Together we slogged through the department stores of my hometown, reliving painful memories of past shopping trips. I had never liked girls’ clothes, and could only be induced to wear a style my mother called “tailored.” Absolutely no frills or puckers. She’d understood. She’d never liked frilly clothes either. But she was five three and slender. I was five eight, and until my twenties, decidedly plump. More often than not, when I found the rare piece of clothing that suited me, it didn’t come in my size. This had always mystified me. I knew there were plenty of other big-boned gals like me, but the people who designed clothes hadn’t discovered us yet.

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Remember the polyester big-collared shirts and beltless pants?

Sears was filled with nothing but polyester. Pants with no pockets and elastic waistbands. Over the years I’d developed a clothing checklist. I preferred natural fibers, and I wouldn’t wear pants if they had no back pockets. “Don’t be silly,” my mother said.

I was indignant. “I intend to wear these pants more than one time,” I reasoned. “Where will I put my wallet?”

At Montgomery Wards I insisted on starting in the men’s department. I liked the color of a greenish suit on the display and convinced the clerk to let me try it on in the men’s dressing room even though I knew what would happen. Those seventies-style men’s pants were not made for my body. In the size that fit comfortably on my thighs, the waist was inches too big. These were not the kind of pants you could cinch up with a wide belt. They were the kind with the self-belt made of the fabric to fit a man’s waist exactly. When I emerged from the dressing room my mother was not impressed. “Oh, Molly,” was all she said. I knew she was right. I felt like a used car salesman.

We arrived at the Bon Marche irritated and frustrated. The Bon Marche is the Macy’s of Yakima, WA—clothes to aspire to. My attention span for shopping had always been short. And we had never shopped at the Bon when I was a kid. It was out of our price range.

I began to sift through racks of Misses slacks while Flo checked to see whether all the suits had skirts. Suddenly there it was. A rack of pants with back pockets. I was so happy it took me a minute to discover that the pockets were only half-pockets, not really big enough for a wallet. Why they do that I’ll never understand. “Fuck, do they think putting regular-sized pockets in would cause us to grow penises?” I asked my mother.

“Why must you use that word,” she scowled. “Try them on.”

The pants did fit me better than the men’s. I actually liked how they looked, even though I was still pissed about the pockets. “I hate giving money to a clothing industry that refuses to meet my needs,” I said. But I was ready to compromise. I knew I’d never find anything better.

My mother returned with a navy polyester jacket, size 12. Women’s jackets are always too tight in the shoulders or too loose around my waist, but this one wasn’t bad. Before I could complain, she said, “I’ll buy you the jacket.”

Later she asked what shoes I’d be wearing. “Don’t worry,” I said, “I brought my Frye boots.”

Flo insisted I come to the shower, even though the boys didn’t have to. It was just as inane as I’d imagined. Diana was obliged to ooh and aah politely over every gift, no matter how useless. My mother had anticipated that I’d come to this heterosexual event empty-handed and resentful, so she’d bought a present from me. I was as surprised as Diana to discover I’d given her a set of wine glasses with their own rack. Flo never said a word about it.

The day of the wedding I was still searching for an appropriate shirt to wear with my new outfit. My father’s closet had always served me well in the past. We’re about the same size and he has short arms for a man. Whenever I’d visit, he’d send me away with several of his old shirts, which I’d wear with tails out over jeans until they began to fray right at the spots where my ample breasts stuck out the farthest. I found a tasteful light blue number with a faint check. I was looking for a tie when Don breezed into the bedroom. He was wearing bright pink pants and a purple jacket, a pink polo shirt and platform shoes. He sashayed over to the dresser, pulled back his flowing hair and began putting dangly earrings in his pierced ears.

Flo was right on his heels, and she closed the door behind her. “Don,” she wheedled, “I don’t ask you for many things, but I’m asking you not to wear those earrings.”

“Flo, stop making such a big deal out of it,” he said in that artificially low voice he uses when he’s annoyed. “I’m wearing the earrings.”

My mother looked like she might cry. I wished I could make her feel better but I was sworn to defend my brother. “I don’t understand why you must make things so hard for me,” she said. She threw up her hands and walked out.

Before the end of the evening when I felt compelled to admonish my drunken father to stop copping feels off the female guests, he had said to me that he thought I looked “sharp” in his shirt and tie.

Later, when we were dancing, I felt the only wardrobe mistake I’d made was not to wear a bra. I hadn’t thought pointy breasts would really go with my outfit, so I wore an undershirt and let the breasts seek their natural level, about halfway to my waist. But jumping around with no support was painful. Don and I were especially popular on the dance floor, in direct proportion to the amount of alcohol consumed by the wedding guests. I never lacked a partner. All the women loved me.

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