Single Life

At 71, my father, Carroll, has been single for two years.

“What’s it like?” I ask. “Do you think it’s different from single at 30, or 40?” I’m in a relationship at the moment, but considering the impermanence of modern lesbian relationships, this is information I intend to store for the future.

He looks at the sky and smooths his gray mustache. “Probably not,” he says.

We sit on the deck of his tiny trailer in a run-down resort in the California desert. We are drinking vodka and grapefruit juice, perhaps a bit too fast. Vodka is his drink, not mine. He likes whiskey, he says, but his system just can’t take it. Gin gives him an asthmatic reaction. But with vodka, he says, he’s never had a hangover.

He has returned home from his travels to a stack of mail and he reads it as we talk, half-glasses perched on his nose. “This GD insurance company. I’ve been fighting with them for months. Who’s this from? Oh, my friends the Carlsons. You remember Ben and Karen. They’re coming to visit.

I move the stack of mail around and spot an envelope with recognizable handwriting. It is a card from my brother, Don, a notoriously poor correspondent.

“Dear Carroll,” it says, “Hope you are enjoying life in the desert. Everything is fine up here. I recently moved into a new apartment with a new roommate, a college student at the university. I’m working really hard on the Little Theater production of Cinderella, and work is going fine. Hope you had a good holiday.”

“Have you talked to Don lately?” says Carroll.

“Not too long ago. He seems to be doing fine.” I don’t elaborate. Why should I explain, when Don does not, that he plays the part of the fairy godmother in Cinderella? I have met the new “roommate,” a young man who clearly does not have his own bed.

Carroll leans back in the old metal deck chair and gives me a look, but asks no more questions. He has never wanted to know the details of my brother’s private life, nor mine, and we have never told him in so many words.

“That was something, Liberace dying,” he says.

“Yes, it was sad.” What I think is Don hasn’t had the test. I’m terrified that he is positive. For a moment I wish I could talk to Carroll about it.

“I don’t think it’s right that people should be able to hide the cause of death like he did,” he says.

“I think it was a terrible thing they did to him,” I say. “He should have been allowed to die in peace.” Carroll makes some more protests, but he’s not much of a fighter and I don’t feel very argumentative at the moment.

I go back to riffling through his mail. “What’s this?” I say, turning over an envelope with flowery handwriting.

He has saved the good stuff for last. “From Irma,” he says, opening the envelope and scanning the card quickly. He passes it to me.

A teddy bear in a lacy bed looks forlornly out from the card. “I think of you daily and miss you enormously,” it says.

Somehow I have the feeling this thinking and missing is not reciprocal. “How sweet.” I take a swig.

I suspect Carroll had been seeing Irma before my mother died, but I try not to hold that against her. Carroll was a little too pushy about it was all, wanting everything to be okay. He insisted I meet her, and the one time I did, she seemed fine. She told me Carroll was the first man who’d appealed to her in fifteen years.

“You’re obviously putting some distance between you and Irma,” I say, pulling myself out of the chair.

“She drinks too much for me,” he says. “I tell her I think she’s an alcoholic and she doesn’t like that.”

“I was just getting up to freshen our drinks,” I say, thinking Irma’s habit must be serious. For as long as I can remember, Carroll has had a drinking problem. Cracked up two company cars. Always had a pint under the front seat. During my childhood many a dinner was eaten in the tension of his absence.

I duck into the trailer’s kitchen. “Are you trying to cut down?” I ask through the screen door as I assemble juice, vodka and ice.

“The doctor bugs me about it. I try to watch myself,” he says, “but when I’m with Irma I drink more. It’s harder to control. I don’t want to get mixed up with an alcoholic.”

“I think that’s smart,” I say, resisting the burden of my mother’s anguish.

The trailer is spare as a monk’s quarters. Only one picture—of my brother Terry’s children—is displayed on the kitchen table. There are no pictures of my mother or the four of us kids, and none of her things are here. She collected old things, I believe because she wanted a link with history. When she died, Carroll ignored our objections and sold the farm and the contents of our childhood home. “What do I want with things?” he’d said. “I’ll die soon anyhow.” Then he bought a pickup and went on the road. Later, he tried to make it up to me. “Take it,” he would say about objects I expressed interest in, but there was nothing I really wanted then.

I walk back out, hand him a drink, sit across from him and pick out another large envelope. “Who’s this from?”

He smiles, devilishly I think. “That’s Eleanor, my South Dakota girlfriend.”

This one has a serious message lettered on the front.

“I hope only that you can love me just the way I am,” it says. Inside a handwritten message adds, “I do hope someday this can be so.”

“What does this mean?” I ask.

He ponders the card. “Can’t figure it. She’s a pretty hippy gal. Maybe she thinks I want her to lose weight.”

“Why would she think that?”

“Oh, I’ve commented on it,” he says. A fat girl survivor of years of badgering from thin parents, I decide I’d rather not get into this.

“Who’s your girlfriend here, the one your neighbors were razzing you about?” I ask.

“Blanche? She’s a class above the rest in this place. Likes to have a good time. Likes to dance.”

I have never thought of Carroll as particularly handsome. But in his set he is the belle of the ball. Last night at the local resort dance he never lacked a partner. Women approached me and asked, “Is that your father? He sure is cute.” I haven’t seen such flirting since my generation of lesbians all discovered each other.

We look out on the slough, where fishers glide by in rowboats toward the Colorado River. Fish aren’t biting tonight. The local colony of ducks flap wings and chase each other in a frenzy of mating. I wonder why my father and I so often seem to find ourselves in the company of mating animals. I hope he senses my discomfort and doesn’t call attention to this ritual.

“The ducks are sure sexy tonight,” he says. “ ‘Let’s chase each other ‘round the room tonight.’ Ever heard that song? They played it at my sister Jesse’s fiftieth wedding anniversary.”

“It doesn’t look like much fun to me,” I say, watching a drake hold a hen under the water.

“Probably is for him,”  he says.

“So what about sex?” I plunge in. “Do these women you’re dating like sex?”

He’s pleased I asked this question, pleased to have a chance to talk about it, I think. “Hell, yes, sure they do. Irma can take it or leave it though. She can be cold but I don’t care about that. I was never one to demand sex. I never in my life said ‘I’m not getting any here, so I’m going somewhere else.’ ”

I’ve finished my drink and want another, but am afraid to break this train of thought. “What about Eleanor?” I ask.

“Now Eleanor is a different story. She’s quite a bit younger than me—fifties I guess. you know those middle-aged women, they’re sexy.”

“Yes I do,” I say, feeling middle-aged. “So you just returned from a tryst.”

“Well, you know my cousin Buford died. I had to go up to Sturgis. But the funny thing about Eleanor, she doesn’t want anyone to know. She’s real involved in the church, and she’s afraid someone will find out about us. I kind of get a kick out of it. She kicks me out by five o’clock so they won’t see me there in the morning. But she is something in bed. I tell her ‘if your church friends only knew what goes on in this house…’”

I have developed a sudden interest in a broken thumbnail and am picking at it intently.

“Eleanor thinks I’m really sexy,” Carroll says. “But I’m really not. You know, she expects too much of me. They all think I’m sexy. I can’t figure out why.” I rip the thumbnail off and it begins to bleed.

“So what about Eleanor? Are you getting serious?” I ask, sticking the thumb in my mouth to stop the bleeding.

“Naw. I know she’d like to get married, but I’m not gonna do it. Don’t you worry. I don’t intend to get married again.”

“What makes you think I’d worry? You’re an independent person. You can make your own decisions.”

I hug myself. The sun has gone down and the evening is suddenly cool.

“Well, what do you say we get cookin’?” Carroll raises his furry black eyebrows at me, gets up and moves into the trailer.

The prospect does not excite me. His bachelor diet of sausage, Spam and fried potatoes gives me heartburn. “Let’s try something different tonight,” I say, opening the refrigerator, which contains little more than ingredients for various alcoholic concoctions. I pull out the biggest thing in there, a heavy rectangular package. “What’s this?”

“Government cheese,” he says. They give it away to senior citizens every two weeks at the surplus store. I want you to take that with you when you go.

“No thanks. I could never eat all this. I live alone, remember?”

“No, I want you to take that.” He is using his sergeant voice. “I can get plenty more where that came from.”

“No, really, I don’t like processed cheese. I would never eat it.”

“You take that,” he insists. “Give it to your friends.”

“Look, I appreciate the offer,” I say. “Maybe we can cook something with it tonight. Does your oven work?”

He finds some matches and kneels down in front of the little propane stove while I start turning knobs on and off looking for the one that controls the oven. “I never did figure out how to use this thing,” he says.

I am watching as he works at lighting it when the air around his head explodes with a whoosh. He is knocked backwards and ends up sitting on the floor against a counter.

“Dad, Dad,” I yell. “Are you okay?” I get down in front of him and his eyes finally focus on me. I can see his thick eyebrows and lashes have been singed. He rubs the melted nubs of hair on his arm. I discover I am crying.

“Knocked the piss out of me, but I’m okay.” He looks puzzled.

“I’m kind of upset,” I blurt out. “I’m afraid Don might have AIDS. I can’t stand to lose him, too.”

Carroll’s face betrays no anger, only resignation. “He’s always gone for men, hasn’t he?”

“Yes,” I say, and more to atone for indiscretion than anything else, I add, “and I love women.”

“I don’t understand it,” he says, “but I’m glad you’ve been quiet about it.”

I give him a hand up, then wipe my eyes quickly on my shirt sleeve. He smoothes the ruff of hair around his bald head and tucks in his shirt. I decide to cook something on top of the stove.

“Hey, I want you to see something, he says. “Look at my gold nugget.” He pulls what looks like a huge nugget from his pocket. It is attached to a gold chain.

I’m immediately skeptical. One of his favorite pastimes is making up stories about found objects or people he sees in passing, or family history. Years pass and fiction melds with truth. “Where did you get this?” I laugh.

“Well, now, some people might think this is strange,” he says, eyeing me as he places it in my hand. “You know your mother had a lot of dental work done over the years and she had her teeth pulled the week before she died. This is made from her gold teeth. I want you to take it.”

Wonder Woman Electric to the Rescue

My first close-up encounter with drag queens took place in a Tenderloin bar when I worked as an electrician for Wonder Woman Electric in the late 1970s.

An all-female collective of electricians, we did mostly residential work. But our regular commercial accounts included some of the multitude of San Francisco gay bars. Each of the bars catered to a particular subculture in the larger gay community. Lesbians had a few bars and coffee houses. But bars for gay men proliferated. There were bars geared toward disco queens, the leather crowd, the sweater gays, uniform wearers, beach bunnies, cross dressers, fairies, bathing beauties–really more than I could even imagine.

One day in the middle of the week I was called to a hole-in-the-wall bar in the Tenderloin. When I finally found a place to park the Wonder Woman van, it was blocks away and I had to lug heavy tool bags through streets lined with junkies and drunks. This was the bad part of town.

I found the address on Turk Street, a nondescript brick front building. The door was locked, but I saw a discreet push-button near it. I pushed it and after a moment a beautiful young man, far more femme than I, greeted me. He wore matching coral pedal pushers, cardigan and mules with little heels. He did not look pleased to see me.

“I’m the electrician,” I said hopefully. “Ok,” he said, looking me over. Then his perfectly lipsticked mouth curled into a little smile. “Come with me. We’ve been waiting for you.”

A small town girl who’d only lived in San Francisco for a year or so, I had just barely come out as a lesbian and had little experience with drag queens, transsexuals or transvestites, especially not the big city kind.

Stepping from the gray Tenderloin street into that little bar was like entering the Harry Potter toy store at Christmas. Lights and colored decorations hung from the low ceiling. Glitter littered the grungy floor.

I was surprised to see a good number of patrons at the bar in the early part of the day. Some sat at the bar, some at tables, but all looked fabulous. Most were men dressed in women’s clothing. Some dressed as over-the-top made-up drag queens, but most looked more like the gals from the office across the street, dressed in low heels and conservative skirts and blouses. I thought I overheard one of them say “fish” which was pretty funny considering I was the butchest thing in the room, wearing a flannel shirt, jeans and work boots.

The bartender looked like a tough sailor just off the boat who’d thrown on a shoulder-length blonde wig and serious makeup—several shades of eye shadow and bright red lips outlined beyond their natural borders. He worked the bar in a tasteful tailored Donna Reed housedress, popped collar and pearls, and ran the joint with cutting sarcasm. I felt like I was encountering the Wizard of Oz and had to keep myself from jumping back like Dorothy did when she and her three cohorts first encountered him. A person could not help being intimidated.

“Here’s what we need,” he directed me. “I don’t want the patrons to use the bathroom without my permission. They get in there, lock the door and stay. And, honey, we all know what they do in there.” I could only speculate. Drugs? Sex? Probably both. Lesbians had been known to use the bathrooms in our bars for such purposes. Where else could a couple go? And if they were quick about it and others didn’t have to wait too long, we were usually forgiving.

The bartender continued, “I want to be able to push a button right here under the bar to unlock the bathroom door when someone wants to use it. Can you set that up?”

This drag queen was also a Control Queen! I looked around the room at the disapproving patrons. I was going to be responsible for limiting their bathroom privileges. I was already the villain and I hadn’t even done anything yet. But I was certainly capable of installing a push button and door lock. It would be all low voltage, so I’d just have to put in a transformer and run low voltage cable. I wouldn’t need to run pipe or install junction boxes. “I can do that,” I said.

I got to work, planning the job. Could I run the low voltage cable under the floor? Yes, said the bartender. There was a full basement. The beautiful young man ushered me down to the basement, a dank, spiderwebby space with a hundred years of grime on every surface. I had to figure out where to drill through the floor to run wires from the bar to the door lock. The job took me up and down the stairs and back to the van to retrieve materials. I focused on my work and I was relieved that the patrons went back to drinking and dishing.

Finally the job was finished. I emerged from the basement coated in its crud, looking more than ever like a construction worker.

“Let’s test it,” I said. I gave a nod to the bartender who pushed the button. The door buzzed open and, with a flourish, a patron entered the bathroom. It worked! Like electricians everywhere, I always got a thrill when I flipped the switch and my masterpiece (no matter how small) performed as intended. But I didn’t usually have an audience.

These patrons understood drama far better than I. The dramatic moment of the day was all mine. It was as if I were making my big entrance, walking down the runway, head held high. They had all been watching closely and when the door opened, they let out a big cheer.

I bowed to the applause.